René Girard is a Andrew B. Hammond Professor of French Language, Literature and Civilization at Stanford University. Two of his books, The Scapegoat, which was also translated by Yvonne Freccero, and Violence and the Sacred, are available from Johns Hopkins University Press

René Girard is a Andrew B. Hammond Professor of French Language, Literature and Civilization at Stanford University. Two of his books, The Scapegoat, which was also translated by Yvonne Freccero, and Violence and the Sacred, are available from Johns Hopkins University Press

Dan Zahavi is Professor of Philosophy and Director of Center for Subjectivity Research at the University of Copenhagen. He was elected member of Institut International de Philosophie in 2001 and of the Royal Danish Academy of Sciences and Letters in 2007. From 2001 to 2007 he served as president of the Nordic Society for Phenomenology, and he is currently co-editor in chief of ...(展开全部)

Dan Zahavi is Professor of Philosophy and Director of Center for Subjectivity Research at the University of Copenhagen. He was elected member of Institut International de Philosophie in 2001 and of the Royal Danish Academy of Sciences and Letters in 2007. From 2001 to 2007 he served as president of the Nordic Society for Phenomenology, and he is currently co-editor in chief of ...(展开全部)

When James Wood's first collection of essays, The Broken Estate, was published in 1999, the reviewers hailed a master critic. John Banville described Wood as a 'a close reader of genius-illuminating and exciting and compelling', and Malcolm Bradbury described him as 'a true critic: an urgent, impassioned reader of literature, a tireless interpreter, a live and learned intellige...(展开全部)

"James Wood has been called our best young critic. This is not true. He is our best critic; he thinks with a sublime ferocity."--Cynthia Ozick Following the collection "The Broken Estate"--which established James Wood as the leading critic of his generation--"The Irresponsible Self" confirms Wood's preeminence, not only as a discerning judge but also as an appreciator of contem...(展开全部)

"James Wood has been called our best young critic. This is not true. He is our best critic; he thinks with a sublime ferocity."--Cynthia Ozick Following the collection "The Broken Estate"--which established James Wood as the leading critic of his generation--"The Irresponsible Self" confirms Wood's preeminence, not only as a discerning judge but also as an appreciator of contem...(展开全部)

When James Wood's first collection of essays, The Broken Estate, was published in 1999, the reviewers hailed a master critic. John Banville described Wood as a 'a close reader of genius-illuminating and exciting and compelling', and Malcolm Bradbury described him as 'a true critic: an urgent, impassioned reader of literature, a tireless interpreter, a live and learned intellige...(展开全部)

Can you be a self on your own or only together with others? Is selfhood a built-in feature of experience or rather socially constructed? How do we at all come to understand others? Does empathy amount to and allow for a distinct experiential acquaintance with others, and if so, what does that tell us about the nature of selfhood and social cognition? Does a strong emphasis on t...(展开全部)

Can you be a self on your own or only together with others? Is selfhood a built-in feature of experience or rather socially constructed? How do we at all come to understand others? Does empathy amount to and allow for a distinct experiential acquaintance with others, and if so, what does that tell us about the nature of selfhood and social cognition? Does a strong emphasis on t...(展开全部)